Audiences around the world will be able to enjoy a series of anniversary performances by the Israel Philharmonic Orchestra
with a few clicks of a button.
To mark conductor Zubin Mehta’s 50th year with the IPO and the orchestra’s
75th anniversary, a ten-day festival of celebration concerts has been arranged.
The performances, which begin on December 17 and include a recital by Evgeny Kissin, will also be streamed
online.
The digital performances will allow British fans
to enjoy what the IPO has to offer. In September, many were disappointed after the IPO’s concert at the Proms was disrupted
by anti-Israel protesters.
Below | Evgeny Kissin's Performance of 21st December 2011 | Recital : Beethoven, Barber and Chopin
Christmas Eve Performance | 24th December 2011 With Evgeny Kissin Playing Chopin Piano Concerto No.1
Gala from Berlin 2011
This year
the Berliner Philharmoniker and their musical director Sir Simon Rattle welcome the New Year together with highly awarded/multi-awarded
Russian pianist Evgeny Kissin . . . . .
Berliner Philharmoniker, Sir Simon Rattle, Evgeny Kissin,
piano
Antonín Dvořák Slavonic Dance No. 1, Op. 46 in C Major Edvard Grieg Symphonic Dance
No. 2, Op. 64 Piano Concerto A minor Op. 16 Maurice Ravel Alborada del gracioso (orchestra version from "Miroirs")
Richard Strauss Salome's dance from "Salome" Igor Stravinsky The Firebird (Danse infernale, Berceuse
and Finale) Johannes Brahms Hungarian Dance No. 1 in G minor
Evgeny Kissin on Tour in Japan and Australia 2011 (Miscellany)
Vladimir Ashkenazy and the Sydney Symphony on Tour (With Evgeny Kissin)
Evgeny Kissin Plays Chopin : Sydney Symphony
Orchestra
Written by Nicholas
Routley | Sunday, 25th September 2011 | 20:30
"Russian pianist Evgeny Kissin may be only 40, but such has been his astonishing career that
already he is considered a legendary interpreter of acclaimed skill and insight. A child prodigy, he first recorded
aged 13, his repertoire on record and the recital platform in the nearly three decades since embracing the monuments of the
pianist's repertoire, from the Chopin with which he first made his name, to the emotional depths of Schumann and the sheer
virtuosity of Liszt. Intelligent, powerful, and able to tackle even the most formidable technical demands and find within
them the score's soul, Kissin has become one of our age's most remarkable musicians".
'He was presumably born with superhuman hands, but now they seem to be operated by
the next generation of ultra-fast processor and versatile software.' LA Times
'He revealed an
orchestral range of colors and a knack for illuminating character.' New York Times
Douglas Murray at his best
- Israel & Nuclear Iran
KISSIN ON MARXISM!
Mr Kissin wrote, some little while ago, a remarkably eloquent reply
to a member on the Forum of this website who challenged his views written within "A Letter Which Was Never Sent" to "T''. The Maestro, generous as ever to this fans, spared some of his most valuable
time to make very clear his views on Karl Marx which I feel should be shared and made readily available for anyone to peruse; therefore
I have made the relevant thread on the Forum available so that if you click on the pic (above) it will enable direct access
to the 'conversation' in its entirety!
Click on Pic to Read in Full (South Florida Classical Review)
9. Yuri Bashmet and Evgeny Kissin in Shostakovich’s
Viola Sonata
Two Russian greats at the top of their game played Shostakovich’s Viola Sonata,
the composer’s final testament, with probing intensity. The poignancy and dark angularity of this masterpiece emerged
in an April performance of incredible power and immediacy, even in the vast space of the Arsht Center’s Knight Concert
Hall, meeting Shostakovich’s tormented vision on its own terms. (LB)
A dialogue with Evgeny Kissin
Posted on November 21, 2011 | Maryandmusic's
Blog
I was lucky to have won a free ticket for the concert: Kissin plays Liszt. Today I attended a public
dialogue with Kissin at The University of Hong Kong.
Kissin
was easygoing and friendly. He talked slowly and tried his best to answer every question. He is a child prodigy, but not as
proud as some others.
"I think I play
better over the years, as I hear more in music, and I want more of myself. " Life is indeed a journey of exploring oneself,
and follow one’s heart to wherever it goes.
In
the Q&A session, a lady talked about human’s unrestricted potentials intellectually, and asked him if he had any
plans about composition or conducting. Kissin was frank enough to say that he didn’t have any time for those. "We
only have one lifetime. So I choose the things I’m best at." He said. He further said that living in the world
created by those great composers, he didn’t even want to compose any works himself.
"How many books can one read in one’s whole life?" He asked the insightful
question. Well, if we suppose that one reads two books per week, and round up the number, one would be able to read 5,000
books in 50 years. It’s just a tip of the iceberg. Therefore, as Kissin put it, "it is a luxury to read all books
one can get hold of." This applies to virtually everything in life.
A very important part of growing up is to learn to make decisions, and to give up things that you
are not too passionate about or you’re not too good at. I look forward to his performance on the day after tomorrow.
What I Learnt from Evgeny
Kissin Sydney Symphony — By Freya Franzen
Few individual musicians experience what it’s like to be admired across the globe for the music they play. It’s
true that great music transcends national borders, but when it comes to a solo classical music career, only a few talented
people ever attain international acclaim. When I think of the soloist stars that have ruled the roost in my lifetime, names
like Anne-Sophie Mutter, Gil Shaham, Truls Mørk and Alban Gerhardt always spring to mind. However, if I could
name one luminary of our generation that all of us could learn a thing or two from, it would be Evgeny Kissin.
For those who don’t know, Evgeny Kissin is a Russian pianist whom
many people consider one of the world’s greatest musicians. On 15 September 2011, I got to play with Evgeny as part
of the Sydney Symphony at the Sydney Opera House Concert Hall. To state the obvious, it was an immense privilege and an experience
that I will never forget, but the benefits of playing alongside experts of his caliber require a bit more explanation.
Evgeny is a true perfectionist and music
is his lifeblood; this appears to have dictated not only his rigorous practice ethics, but also the level at which he understands
music. His performances are always masterfully spontaneous. When I performed with Evgeny, I couldn’t help but feel that
his musical expression exquisitely described the ideas that Grieg and Chopin were trying to convey in their compositions.
Sacrifice is central to Evgeny’s success. When you hear Evgeny play in person, you understand that his
deftness hasn’t come effortlessly. He’s an exceptional talent and has been ever since his youth, but to scale
the heights of the music world, you must forgo aspects of your life that others take for granted. I have little doubt that
Evgeny’s superlative commitment to his art and the fame and demand for his time that this has created has indeed cost
him real-life experiences. What I love about that though, is that he has taken ultimate control of his destiny; the packed
out concert halls and endless list of accolades are his reward. How many of us get to experience that?
Evgeny
really made me think about music. Hearing his interpretations of the piano repertoire is more than just entertainment; it’s
an awe-inspiring learning experience. Although there is not a lot a pianist can teach a violinist like me in terms of technique,
masterclasses and live performances with expert performers like Evgeny are invaluable – they help you to understand
the internal thought-processes that lead to the most beautiful sounds. Playing with Evgeny helped me to understand his interpretation
of different forms of music, which gave me a unique yet exemplary perspective of how I should be thinking.
It’s
hard to even imagine being as good as Evgeny Kissin. Playing with him is one of those opportunities that money just can’t
buy.
Princely Splendour of a Master
of Sound and Articulation
Peter McCallum : September
24, 2011
Evgeny Kissin in rehearsal with the Sydney Symphony
and conductor Vladimir Ashkenaszy
Click on
pic to read Article
Standing with Israel
♥ Standing for Light and Liberty
"We
extend our hand to all neighbouring states and their peoples in an offer of peace and good neighbourliness, and appeal to
them to establish bonds of cooperation and mutual help with the sovereign Jewish people settled in its own land."
(from the Proclamation
of the Establishment of the State of Israel)
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fan site for all those who love the genius and extraordinary talent of Evgeny Kissin. This is a non-profit site maintained voluntarily. Photographs/content
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